Description
From Eugene Rodriguez, the founder of Los Cenzontles Cultural Arts Academy, a profoundly personal exploration of music’s power to build cultural bridges that last.
From an early age Eugene Rodriguez knew he was captivated by music. But he found himself encountering the same two problems again and again: the chilly rigidity of so much formal music education, and the underrepresentation of Mexican culture in American media. In 1989 he founded Los Cenzontles (The Mockingbirds), a group that offered music education to Bay Area youth, and that gave pride of place to Mexican musical traditions.
Bird of Four Hundred Voices follows Rodriguez as he leads his young students from a California barrio to uncover their ancestral roots. From their home community in San Pablo, Los Cenzontles journey to fandangos in Veracruz, resurrect a lost mariachi tradition, and collaborate with luminaries like Linda Ronstadt, Lalo Guerrero, Taj Mahal, Jackson Browne, Flaco Jiménez, and Los Lobos. Rodriguez’s story offers an honest, deeply personal look at the cultural work that confronts historical oppression and joyously challenges cultural borders. And it is a profound celebration of the powerful influence of Mexico’s musical heritage on American culture.
“I wish I had studied with Eugene Rodrigeuz when I was growing up. Read this beautifully written book about culture, identity and resilience, and you will know why.” —Linda Ronstadt
“This glorious memoir is unlike other ethnic memoirs I have read because, by eschewing politics in favor of Mexican popular culture, Eugene Rodriguez recollects his own growing appreciation of the play of Mexico within himself. For centuries Mexico has withstood political failures by means of the gathering festival—the union of old and young, the living and the dead, wit and romance, the sombrero’s bow and the wise smile of the skull. In hardscrabble San Pablo, California, Eugene Rodriguez records his life’s work first as student then as teacher: He has taught young men and women and children to dance and sing with the dead.” —Richard Rodriguez, author of Hunger of Memory
“A son of so much: activism, history, art, pride, California, Mexico, the world. Each sentence, paragraph, page and story is a fandango for the soul.” —Gustavo Arellano, L.A. Times